Scene-by-Scene: An Introduction to Screenwriting
October 18 - December 16$365
Designed for new writers, or writers new to screenwriting, Scene-by-Scene: An Introduction to Screenwriting gives writers all the essential building blocks you need to write your first screenplay.
In this live course via video conference, learn how to structure and format a screenplay, what “visual storytelling” is, how to write dialogue that works, how to develop a relationship with time on the page, and get the low-down on the fundamentals of story structure, building conflict, and character design.
The course will use a combination of lectures, film/television clips, short exercises, and access to professional screenplays to further develop screenwriting familiarity and skill.
Writers will leave the course with a completed short screenplay and a stable of new visual storytelling skills.
(Yes, you heard that right. A completed screenplay).
Want to find out more? Come to our FREE Info Night on Thursday, October 4, 2018 at 8 p.m. EST (Sign up here!) Instructor and Screenwriter Rebecca Hales will give you an overview of what the course will entail and the kind of work you’ll be doing.
Here are just a few of the things you will learn in the eight-week course:
– Script format and software
– How to read a script
– Basics of writing each component (slug lines, action, dialogue, transitions, etc.)
– How to tell a visual story (i.e. If you can’t see it, you can’t write it)
– Screenplay as collaborative blueprint (what you write tells others how to do their jobs, but also you shouldn’t tell others how to do their jobs)
– Basic story structure
– What does and doesn’t need to be written in screen (as opposed to prose)
– Time in screenwriting (playing time vs. story time)
– How to evaluate what you’re reading/writing (major questions to ask)
– Feedback/notes/table reads (there’s a process/etiquette)
– What to do with a script when it’s done
– Production 101
The online class is fully interactive and takes place via live video conference (which is taped so you can watch it on replay), and there is ample opportunity to share work, talk through and practice craft issues, and ask questions about the genre. Assignments, readings, and video clips will guide you on your screenplay writing journey. In the end, you will not only have a short finished script but have the opportunity to create a revision plan and revise it.
Isn’t a screenplay just a story?
Not exactly. While a screenplay tells a story, it is actually a blueprint for the final visual product. It will be used by the producers, directors, casting agents, actors, location scouts, set designers, costume department, etc. to bring together all the elements that make a movie or TV series. It is a very collaborative document and the success of every department starts with the writer.
How is telling a story for the screen different from writing any other type of story?
Film and television are visual mediums. What is described in a book can range from the physical surroundings, to the smells, to the deepest thoughts and feelings of a character. We spend time in their internal world, getting to know them and bonding with them. In screenwriting, if it can’t be seen on the screen, it shouldn’t be in the script.
Screenwriting forces the writer to ask: “How do I SHOW what the character thinks and feels since I can’t TELL the audience directly?” This includes actions (smashing a plate to show anger) and dialogue that uses emotional subtext. Screenplays also use visual metaphors to convey story ideas.
Do I have to buy special software?
No. While screenwriting does use special software like Final Draftäand Move Magic Screenwriteräthere are free online alternatives that will help you format your screenplay. Of course, once you fall in love with screenwriting, you may want to purchase the more comprehensive software.
What is the class format?
The class will meet in real time over interactive video conference every Thursday, from 8 p.m.- 9 p.m. EST to hear Rebecca’s lecture, assignments, and talk about the various craft, theory, and production elements in screenplay writing.